The Catcher in the Rye and Philosophy: A Book for Bastards, by Keith Dromm, Heather Salter

Posted by

By Keith Dromm, Heather Salter

Few novels have had extra impact on participants and literary tradition than J.D. Salinger’s The Catcher within the Rye. released in 1951 and meant by means of Salinger for adults (early drafts have been released within the New Yorker and Colliers), the unconventional fast turned championed via adolescence who pointed out with the awkwardness and alienation of the novel’s protagonist, Holden Caulfield. considering the fact that then the publication and its reclusive writer were furniture of either renowned and literary tradition. Catcher may be the one glossy novel that's respected both via the numerous americans whom Holden Caulfield helped via highschool and puberty and literary critics (such because the New Yorker’s Adam Gopnik who insisted as lately as 2010 that Catcher is a "perfect" twentieth-century novel).

One premise of The Catcher within the Rye and Philosophy is that the benefit and sincerity with which readers establish with Holden Caulfield rests on Salinger’s awareness to the nuances and features of expertise within the glossy international. Coupled with Salinger’s deft subjective, first-person type, Holden involves look extra genuine than any fictional personality may still. This and different paradoxes raised through the unconventional are taken care of by way of authors who locate solutions in philosophy, really in twentieth-century phenomenology and existentialism--areas of philosophy that percentage Salinger’s awareness to lived, instead of theorized, adventure. Holden’s preoccupation with “phonies,” with his consistent striving to interpret and decide the reasons and ideology of these round him, additionally faucets into modern curiosity in philosophical theories of justice and Harry Frankfurt’s lately celebrated research of "bullshit."

Per Salinger’s request, Catcher hasn't ever been made right into a motion picture. One degree of the devotion and fanatical curiosity Catcher keeps to encourage, in spite of the fact that, is concept in blogs and magazines approximately even if motion picture rights might develop into to be had within the wake of Salinger’s loss of life in 2010. those articles stay in basic terms hypothetical, however the questions they inspire--Who may direct? And, in particular, Who could famous person as Holden Caulfield?--are as vibrant and actual as Holden himself.

Show description

Read or Download The Catcher in the Rye and Philosophy: A Book for Bastards, Morons, and Madmen (Popular Culture and Philosophy) PDF

Similar popular culture books

American Zombie Gothic: The Rise and Fall (and Rise) of the Walking Dead in Popular Culture

Zombie tales are particularly American, because the creature used to be born within the New international and features as a reminder of the atrocities of colonialism and slavery. The voodoo-based zombie motion pictures of the Nineteen Thirties and '40s demonstrate deep-seated racist attitudes and imperialist paranoia, however the contagious, cannibalistic zombie horde invasion narrative tested by means of George A.

Harry Potter and Philosophy: If Aristotle Ran Hogwarts (Popular Culture and Philosophy)

In Harry Potter and Philosophy, seventeen philosophical specialists release a few of Hogwarts' mystery panels, and discover stunning insights which are enlightening either for wizards and the main discerning muggles.

Things I Can't Explain: A Clarissa Novel

An entire re-imagining of the Nineteen Nineties tv hit Clarissa Explains all of it as 20-something Clarissa attempts to navigate the unemployment line, mompreneurs and the collision of 2 humans in love.
[b][/b]
She used to be a wise, snappy, light-hearted lady who knew all of it at fourteen and allow tv audiences all over are aware of it. Now a girl in her overdue twenties, her looking blue eyes are extra severe, yet often amused by way of the folk round her. The gap-toothed smile that made her appear more youthful than she rather used to be is long gone, yet she nonetheless lightens up the room. Her unpredictable cloth wardrobe rocks similar to whilst she used to be a child, yet her model experience has developed and it makes women and men flip their heads.

After leaving highschool early, Clarissa interned on the day-by-day submit whereas attending evening institution. on the ripe previous age of twenty- she had it made - her personal journalism beat (fashion, gender politics and crime), an inexpensive residence in FiDi and a livable salary. She was once so completely prior to the sport. Ah, these have been the times! All 3 of them. have in mind the inventory industry Crash of 08? have in mind while humans really obtained newspapers?

All of Clarissa's fascinating obsessions, charts, graphs, and superstitions have survived into maturity, yet they've developed into an ever-greater have to claw the area again below regulate. Her mid-twenties main issue has left her with an entire set of items she can't clarify: an ex-boyfriend became stalker, her parents' divorce, a micro courting with the lovable espresso man, java habit, "To-Flue Glue," after which there's Sam. Where's Sam anyway?

Things I Can't clarify is set figuring out all of it on your children after which feeling such as you comprehend not anything on your twenties. it truly is an unique and must-read sequel to all lovers of Mitchell Kriegman's Nickelodeon television show,Clarissa Explains all of it.

Virtue or Virtuosity?: Explorations in the Ethics of Musical Performance (Contributions to the Study of Music and Dance)

Drawing upon the prior twenty years of burgeoning literature in philosophy of tune, this research bargains a accomplished, serious research of what's entailed in functionality interpretation. It argues that integrity and different virtues offset the damage that virtuosity and inflexible historic authenticity can impose at the perceptive judgment required of fine musical interpretation.

Additional info for The Catcher in the Rye and Philosophy: A Book for Bastards, Morons, and Madmen (Popular Culture and Philosophy)

Sample text

Macintyre agrees with Plato, who thought that first we behave morally, and then we learn morality. In brief, we don't explain ethics to a child, we simply say no. Only when people are older and have already internalized virtuous behavior are they capable of understanding the abstract rea­ sons for behaving virtuously or morally. At that point, one can fully engage in philosophical thinking about ethical behavior and perform the kinds of ethical thought experiments that deontologists and consequentialists think of as the heart of ethics, that is, deducing general rules and effectively thinking about outcomes.

A hot debate continues as to whether there has been enough follow-up; the devastation was great, and many still suffer. The Thin Veil The stories of a ravaged Gotham and a flooded New Orleans leave us with a mixed message. We wonder how close we, in our different communities, might be to anarchy-what would it take to rip that thin veil of order? But on the other hand, we see stories of heroism as people pull together in the face of extreme challenges. Batman's ultimate enemy is chaos: Arkham's criminally insane celebrated in crippled Gotham, a city ruled by anarchy.

Just desserts" explains why we think that Batman's suffer­ ing is bad, whereas the suffering of a dirty and brutal cop isn't. Detective Flass in Batman: Year One is a fonner Green Beret who uses his training and size to brutalize men who are doing nothing more than hanging out on a street comer. Flass and fellow officers actually beat James Gordon for not taking bribes or tolerating a dirty police force. Gordon later gives Flass a bat to make the fight more even and severely beats him, stopping just short of sending him to the hospital.

Download PDF sample

Rated 4.12 of 5 – based on 16 votes