A Theory of Shape Identification by Frédéric Cao, José-Luis Lisani, Jean-Michel Morel, Pablo

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By Frédéric Cao, José-Luis Lisani, Jean-Michel Morel, Pablo Musé, Frédéric Sur

Recent years have visible dramatic development match popularity algorithms utilized to ever-growing photo databases. they've been utilized to picture sewing, stereo imaginative and prescient, photo mosaics, reliable item attractiveness and video or internet snapshot retrieval. extra essentially, the facility of people and animals to discover and realize shapes is likely one of the enigmas of conception.

The ebook describes an entire strategy that starts off from a question snapshot and a picture database and yields an inventory of the photographs within the database containing shapes found in the question photograph. A fake alarm quantity is linked to every detection. Many experiments will express that universal easy shapes or photographs can reliably be pointed out with fake alarm numbers starting from 10-5 to lower than 10-300.

Technically conversing, there are major matters. the 1st is extracting invariant form descriptors from electronic photographs. the second one is finding out no matter if form descriptors are identifiable because the comparable form or no longer. A perceptual precept, the Helmholtz precept, is the cornerstone of this selection.

These judgements depend on simple stochastic geometry and compute a fake alarm quantity. The reduce this quantity, the safer the id. the outline of the approaches, the various experiments on electronic pictures and the easy proofs of mathematical correctness are interlaced for you to make a examining available to numerous audiences, akin to scholars, engineers, and researchers.

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Extra resources for A Theory of Shape Identification

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4 Bibliographic Notes 59 Gaussian scale space, given by the heat equation [98]. An interesting shape recognition method using the mean curvature motion was discovered by Mocktharian and Mackworth [132]. The use of curvature-based smoothing for shape analysis is by now well established. The seminal papers are [10], [132] and [62]. These authors define a multi-scale curvature which is similarity invariant, but not affine invariant. Abbasi et al. [1] used the mean curvature motion and an affine length parameterization of the boundary of the solid shapes in order to get an approximately affine shape encoding.

Moreover, they are very complex, and will yield many encoded pieces of curves when the procedure of Chap. 4 is applied. The shape content of a texture is therefore both huge in quantity and unreliable. The computational cost to handle it may therefore be too high for some applications. Thus it may be useful to automatically remove contrasted regions corresponding to texture. The argument above is reversed for stereo image registration or motion estimation. In this case, it is a priori known that the images under comparison are nearly the same image.

This was expected since, in textured regions (as on the tower), the local contrast values are larger than in the rest of the image. Thus, this increases the NFA of boundaries; most of them simply disappear in textured regions. This is a masking phenomenon in the Gestalt terminology [95]. On the other hand, some lines are detected due to the illumination gradient (see Fig. 5). They can be due to the vicinity of the light source or to the variation of the orientation of the surface of a three dimensional object with respect to the light source.

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