By Terri Ginsberg, Andrea Mensch
A significant other to German Cinema bargains a wide-ranging number of essays demonstrating state-of-play scholarship on German cinema at a time within which cinema experiences in addition to German cinema have once more began to flourish.
Offers a cautious mixture of theoretical rigor, conceptual accessibility, and highbrow inclusiveness
Includes essays via recognized writers in addition to up-and-coming students who take cutting edge severe techniques to either normal and emergent parts within the box, specifically concerning race, gender, sexuality, and (trans)nationalism
Distinctive for its modern relevance, reorienting the sphere to the worldwide twenty-first century
Fills serious gaps within the extant scholarship, establishing the sphere onto new terrains of severe engagement
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Additional info for A Companion to German Cinema
16. Quoted in Steve Craig, Men, Masculinity, and the Media (Newbury Park and London: Sage Publications, 1992), 223. 17. M. Elise Marubbio, Killing the Indian Maiden: Images of Native American Women on Film (Lexington: University Press of Kentucky, 2009), 113. 18. Richard Dyer, “Male Sexuality in the Media,” in The Sexuality of Men, ed. Andy Metcalf and Martin Humphries (London: Pluto, 1985), 28–43; Robin Wood, “Raging Bull: The Homosexual Subtext in Film,” in Beyond Patriarchy: Essays by Men on Pleasure, Power, and Change, ed.
Killing the Indian Maiden: Images of Native American Women on Film. Lexington: University Press of Kentucky, 2009. Mill, John Stuart. Utilitarianism. New York: Penguin Classics, 1987. Nash, Jay Robert. The Encyclopedia of Western Lawmen & Outlaws. Cambridge, MA: Da Capo Press, 1994. Nietzsche, Friedrich. Beyond Good and Evil: Prelude to a Philosophy of the Future. New York: Vintage Books, 1966. Nunokawa, Jeff, and Amy Sickels. Oscar Wilde. New York: Chelsea House, 2005. Reep, Diana. ” In Beyond the Stars: Locales in American Popular Film, volume 4, edited by Paul Loukides and Linda K.
15 Lisa has known of Dean’s profession for a number of years, but she only allowed him to move in after he promised to give up being a hunter. Dean tries to lead a normal life but is pulled back into hunting after people go missing, with only strange scratches on walls and small piles of sulfur (the marks of a demon) left behind. Dean’s return to the life of a hunter damages his relationship with Lisa, who is unable to reconcile Dean’s role as a hunter with his role as a provider/protector for the family, so Lisa separates herself from Dean.